Manticore is perhaps the most bloodthirsty and dangerous of creatures. She has the body of a lion, a human face, Blue eyes and a voice like the sound of a flute. But its main and most terrible features are three rows of teeth in its mouth, a poisonous sting at the end of the tail, like a scorpion, and poisonous spikes on the tail, which the manticore can shoot in any direction. Finally, "manticore" translated from Farsi means "cannibal".
We meet the first mention of the manticore in the books of the Greek doctor Ctesias, already well known to the reader. Thanks to Ctesias, many Persian myths became known to the Greeks. Further Greek and Roman descriptions repeat the main features of the manticore given by Ctesias - a lion's body covered with red hair, three rows of teeth and a tail with a poisonous sting and poisoned spikes. Aristotle and Pliny directly refer to Ctesias in their writings.
However, the most complete ancient description of the manticore was made in the 2nd century AD. e. Elyan. He gives some curious details: “Everyone who approaches her, she strikes with her sting ... The poisonous spikes on her tail are comparable in thickness to a reed stalk, and are about 30 centimeters long ... She is able to defeat any of the animals, with the exception of a lion " . Although it is clear that Aelian, like Aristotle and Pliny, drew his knowledge of the manticore from Ctesias, he adds that detailed information about this monster is contained in the work of the historian Cnidus. In the 2nd century A.D. e. Philostratus of Lemnos mentions the manticore as one of the miracles about which Apollonius questions Iarchus on the hill of the wise.
Although the manticore is rarely mentioned in ancient scientific books, its descriptions abound in medieval bestiaries. From there, the manticore migrated to natural science works and folklore works. In the XIII century, Bartholomew of England wrote about it, in the XIV century - William Caxton in the book "Mirror of the World". In Caxton, the manticore's three rows of teeth become "a stockade of huge teeth in her throat," and her flute-like voice becomes "a sweet serpentine hiss, with which she draws people to her, then to devour them." This seems to be the only time a manticore has been confused with a siren.
In the Renaissance, the manticore finds its way into the pages of Conrad Gesner's History of Animals and Edward Topsell's History of Four-Legged Beasts. Since the 18th century, the manticore has not been mentioned in any serious scientific work, with the exception of those devoted to the study of myths.
As already mentioned, over the centuries, only insignificant details have been introduced into the description of the manticore. For example, Pliny writes that her eyes are not blue, but green, Bartholomew the English says that "she has a bear's body covered with wool," and on some medieval coats of arms the manticore is depicted with a crooked or spiral horn on its head, and sometimes with a tail and dragon wings. However, such changes made by different authors had little effect on the general idea of \u200b\u200bthe manticore - since the time of Ctesias, there has been only one "variety" of the manticore.
Although they have repeatedly tried to connect the origin of the manticore with the Indian animal "makara", the European werewolf wolf and other creatures, it would obviously be most correct to say that it "comes" from the Indian tiger. This assumption was made in the 2nd century AD. e. Commentator Ctesias Greek writer Pausanias. He believed that the jaws with three rows of teeth, the human face and the tail of a scorpion were nothing but "the fantasy of Indian peasants who are terrified of this animal." According to Valentine Ball, the legend of the three rows of teeth could arise from the fact that the molars of some predators have several sharp rows on each, and the sting of the manticore is a keratinized area of \u200b\u200bskin at the tip of the tiger's tail, resembling a claw in its appearance. In addition, according to Indian belief, the whiskers of a tiger are considered poisonous. Wilson believes that the ancient Persians saw the human face of a manticore on Indian sculptures of the tiger deity.
In the Middle Ages, the manticore became the emblem of the prophet Jeremiah, since she is an underground creature, and Jeremiah was thrown by enemies into a deep pit. In folklore, the manticore has become a symbol of tyranny, envy, and evil in general. Back in the late 30s of our century, Spanish peasants considered the manticore "the beast of bad omens."
Since the Middle Ages, the manticore has come to fiction. The 13th century novel "Tsar Alexander" says that off the coast of the Caspian Sea, Alexander the Great lost 30 thousand of his soldiers in battles with lions, bears, dragons, unicorns and manticores. In John Skelton's poem "Philip the Sparrow" (XVIII century), a little girl, referring to the cat that killed her favorite bird, says: "Let your brain be eaten by mountain manticores." In George Wilkins' play The Misfortunes of a Forced Marriage, one of the characters compares usurers with "manticores, the enemies of mankind, who have two rows of teeth."
The manticore is one of the tempting animals in Flaubert's The Temptation of Saint Anthony. Flaubert's manticore is also a red lion with a human face and three rows of teeth; besides, she spreads the plague.
In Piers Anthony's fantasy story "The Chameleon Spell", a manticore, "a creature the size of a horse, with the head of a man, the body of a lion, the wings of a dragon, and the tail of a scorpion," guards the house of a good wizard.
Images of the manticore are no more common than references to it in the literature. Most of them are book illustrations. Unlike scientists and writers, artists allowed themselves to treat the image of the manticore with a greater degree of fantasy. The manticore was depicted with both long female hair and arrows on its tail. The only depiction of three rows of teeth can be seen in the Westminster Bestiary. A manticore adorns the 13th century Hereford map of the world. The most detailed illustration is reproduced in a bestiary of the 17th century. It depicts a creature with the head of a man, the body of a lion, the tail of a scorpion, the wings and claws of a dragon, the horns of a cow and the udder of a goat.
Pictures from bestiaries inspired many decorators of Christian churches. The image of the manticore can be seen on the octagonal column in the Abbey of Suvini, on the mosaics in the cathedrals in Aosta and in Cahors, where the manticore personifies St. Jeremiah.
Over its more than two thousand years of history, the manticore has changed little and, despite the attempts made in the current century to give it virtuous features, remains a symbol of bloodthirstiness.
An ancient mythical creature, a dangerous predator with a blood-red lion's body and a human head. Her tail is crowned with the sting of a scorpion.
Origin of the manticore
This creature came to us from India, but for the first time in his writings he was described by Ctesias, a Greek physician. According to him, the manticore or "mantichora" (in the Indian manner) reached the size of a lion and had an equally thick coat that shone bright red, like blood, in color. The head of the manticore looked more like a human, its bright blue eyes hypnotized the victim so that she could not move from fear. Horror was inspired by her sharp teeth, three rows of which crowned her mouth terrible predator, and the tail of a scorpion, in the needle of which was a terrible poison. Ctesias also noted that in addition to the sting of a scorpion, there were needles on the tail of the manticore, with which the monster could pierce its victim from a distance, like arrows. The voice of the manticore was like the sounds of a flute and a trumpet at the same time. During the hunt, the manticore hid in the thickets of the jungle and attacked large animals and people passing by. Of all the creatures on earth, she was most afraid to fight a lion, because only he could defeat her.
Many contemporaries of Ctesias, and even scientists of a later time, were skeptical of his words, suggesting that the frightened Indians mistook the most ordinary tiger for a terrible monster, because in the movement the stripes of this big cat merged, which made it seem that the skin of the tiger becomes red. shade. And the terrible teeth and tail are the inventions of the frightened inhabitants.
And yet the description of the predator is found in the writings of such great people as Aristotle in his History of Animals, Pausanias in the pages of the Description of Hellas, Pliny in the Natural History and Solinus in the Collection of Landmarks. With the light hand of the last two authors, the formidable predator of the manticore lost its tail, studded with sharp spikes, with which it could hit a target at a distance. It remains for the poor predator to be content with the scorpion sting, but Solin immediately notes in his work that this feline (and the manticore may well be classified as a cat family), is distinguished by incredible jumping ability and its jump is so far away that no distances and no obstacles can stop it.
On the pages of the Middle Ages
The manticore has been firmly rooted in many books over the past centuries, especially medieval bestiaries. And although it has undergone some changes over the years, the main features of this mythical creature have remained unchanged - a blood-red skin, rows of knife-sharp teeth, a scorpion tail and a love for human meat. In medieval miniatures, this predator was most often depicted with some part of a person in its teeth, in order to emphasize its nature as a cannibal.
But this is where the similarity with the ancient image ends. In the Middle Ages, the manticore was rewarded with a snake hiss, with which she lured the victim. The triple row of teeth, according to some writings, turned into a palisade, going straight into the throat.
Some scientists, inspired by the work of their ancient colleagues, added new abilities to the manticore. So Honorius Augustodunsky endowed the mythical creature with the ability not only to jump over long distances, as Solinus wrote, but also to fly.
The place of the manticore in the modern world
Many writers, such as Andrzej Sapkowski and Joanne Rowling, could not remain indifferent to such a ferocious and formidable creature and settled the manticore on the pages of their own bestiaries.
There is no limit to the human imagination, and Sapkowski returned to the manticore her tail with sharp needles, with which she can strike the enemy in absolutely any direction, and a pair of wings grew on her back. The formidable predator has become even more dangerous.
Rowling, in her book Magical Beasts and Where to Find Them, endowed the manticore skin with immunity to magic. Now any spells are useless against this creature. Writer David Robertson endowed the manticore with human consciousness and the ability to talk, and Russian science fiction writer Nikolai Basov made it capable of regeneration.
In addition to books, the manticore also appeared on television screens in the film "Manticore" and the television series "Grimm". Many are familiar with it from such well-known and beloved games as Heroes of Might and Magic III, Titan Quest, Age of Mythology, Artorias from the Abyss. Similar characters are also found in the World of Warcraft universe.
The Manticore is a legendary beast. For the first time it was described by the ancient Greeks, having visited Indian soil. It did not receive much distribution in those centuries, but it has gained well-deserved popularity these days, becoming a monster from numerous fantasy books, computer and board games, as well as decorating the covers of metal bands.
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Description of the manticore by different authors
She has a lion body, a human head and a scorpion tail. The mane is also a lion's, fiery red, in the mouth there are three rows of teeth, and the eyes are bright blue. At the end of the tail are poisonous spikes. The poison kills an adult on the spot. Medieval miniatures often depicted a manticore with a human leg or head in its mouth. For the first time I spoke about the beast Greek physician Ctesias, distributor of many Persian myths. Ctesias served as the primary source for Aristotle and Pliny the Elder in their descriptions of mythical beasts -, and many others.
According to Ctesias, the monster is toothy to the extreme - teeth in three rows on the jaws above and below, the size of big lion, with lion paws and mane. The head is like a human. The creature's fur is bright red and its eyes are blue. From the earthen scorpion, the manticore got a tail with a poisonous sting, capable of shooting. She makes sounds that could be made by a flute and a trumpet together, and she runs faster than a wild deer. It is impossible to tame the manticore, and human flesh serves as food for it. This is how Aristotle describes the mythical beast. Some authors added dragon-like wings to the image of the monster.
The most complete ancient description of this creature belongs to a pen who lived in the second century BC. Claudia Eliana who wrote the treatise On the Nature of Animals. He wrote that any approaching beast attacks with a tail. The spikes on its tail are as thick as reed stalks, almost thirty centimeters long. In battle, the manticore will defeat any beast except a lion. Entries preserved Philostratus the Elder about the miracles told by Iarchus to Apollonius of Tyana on the hill of the wise. Manticore is one of them.
Many treated the description of the beast with skepticism. Pausanias, geographer from Greece, in his "Description of Hellas" said that he was most likely confused with a tiger. Pausanias believed that the pure red color of the beast appeared due to observations of tigers in the evening and while moving. And everything else, like a human face and a scorpion tail, is the result of Indian inventions, because fear has large eyes.
The misconception can be explained by the sharp and slightly jagged edges of the teeth in the predator's mouth, creating a sense of the presence of additional rows of teeth. In tigers, the tip of the tail is black and can become keratinous - then its tip begins to resemble a scorpion's sting. Hindus believed that tiger whiskers and tails were poisonous. Sometimes tigers were depicted on the walls of temples with human faces, and therefore the Persian army could see them during the conquests. From the Persians, the description of the manticore passed into Greek myths.
Ancient Greek books rarely describe the manticore. But in the Middle Ages, it was an indispensable part of the bestiaries. Of these, the beast passed into folklore. In the eighth century it was described Bartholomew English, in the fourteenth - William Caxton The book "Mirror of the World" was written. Caxton changed the shape of the beast, replacing the triple palisade of teeth with a mouth in the throat, and turning the mellifluous voice into a serpentine hiss that draws people to him. Manticore was still considered a cannibal.
Features of the behavior of the manticore
The Greeks believed that the manticore was as ferocious as chimera. They were afraid of her, but much less than other famous monsters. Hindus still believe in the existence of a cannibal beast (“manticore” is translated from Farsi as “cannibal”). Sometimes this is the nickname for tigers that begin to hunt people.
Often, medieval authors described her as a destroyer and destroyer. But there are practically no legends about fights with a manticore. It was believed that she prefers deserted places and avoids people. Throughout the Middle Ages, the mythical beast adorned the emblem of the prophet Jeremiah. In heraldry, he embodies tyranny, envy and evil.
The existence of the manticore was confirmed by the regular disappearances of people. Each missing without a trace was considered a victim of a mythical beast. After all, the manticore devoured prey along with bones, all offal and clothes. Superstition was reinforced by the climate of India and Indonesia, where the monster was believed to live. The disappearances of people in the jungle do not surprise anyone even today.
In the thirteenth century, the novel King Alexander was written about the conquests of Alexander the Great. In the novel, the loss of thirty thousand warriors is attributed to snakes, lions, bears, dragons, unicorns, and manticores. In painting, the manticore symbolized the sin of fraud, for it was a chimera with the face of a beautiful maiden.
Manticore today
The current century and the end of the twentieth have brought new interpretations. Bestiary Andrzej Sapkowski, a science fiction writer best known for The Witcher series of books, gave the manticore wings and the ability to accurately shoot poisoned spikes in any direction. Domestic science fiction Nikolai Basov in one of his stories, he writes that the monster easily regenerates after any damage and is practically invulnerable. The 2005 film of the same name shows the beast as a practically immortal creature. Only another manticore or the gaze of his own reflection can defeat him.
Didn't stay away Joanne Rowling with her Fantastic Beasts and Where to Find Them. In her version, the manticore emits a soft purr when eating. Her skin reflects almost all spells. Hogwarts forester Hagrid, obsessed with dangerous animals, crossed a manticore with a fire crab. As a result, a snottail came out, combining the features of both parents.
The series "Grimm" shows them as deadly creatures, not afraid of death. Modern animation did not stand aside. Series about "The Amazing Misadventures of Flapjack" describes the manticore as a man with a lion's body, which grows small wings. If you tickle them, then the beast will subside.
Manticore has appeared in games such as "Disciples", "Heroes of might and magic" and also in the famous "Dark Souls". The nuances of her appearance vary depending on the goals of the developers, but the presence of a lion's body, wings and a scorpion tail remains common. The manticore appeared in the animated series "My little pony» - there the manticore had the canonical face of a person. A game «Allods online» made her one of the non-playable monsters. Canadian writer Davis Robertson wrote a whole cycle of the same name, making the beast a key symbol. Popular British band Cradle Of Filth in 2012 she released the album The Manticore And Other Horrors.
Overall, the manticore is a beast with a long history, impressive looks, and legendary descriptions. There is no doubt that in the coming decades it will appear more than once in world culture as a monster, adversary and symbol. Such monsters are not forgotten just like that.
Manticore (monster) Manticore (monster)Although the manticore is rarely mentioned in ancient scientific books, its descriptions abound in medieval bestiaries. From there, the manticore migrated to folklore. So, in the XIII century, Bartholomew of England wrote about it, in the XIV century - William Caxton in the book "Mirror of the World". In Caxton, the manticore's three rows of teeth became "a stockade of huge teeth in her throat", and her flute-like voice became "a sweet serpentine hiss, with which she draws people to her in order to then devour them."
In the 20th century, ideas about the manticore continued to develop. For example, in the bestiary of the Polish science fiction writer Andrzej Sapkowski, the manticore acquired wings and learned to shoot in any direction with its poisoned spikes. And in the novel by the English writer J. Rowling "Magical Creatures and Where to Find Them", the manticore "begins to purr softly after absorbing another victim." Also, according to Rowling, "the skin of a manticore reflects almost all known spells." In the story of the Russian science fiction writer Nikolai Basov "Demon Hunter", the manticore has the ability to heal its wounds almost instantly. In the movie " Manticore" (2005), it is impossible to kill a manticore, and only the look of another manticore (or its reflection) can turn it into stone. In the Grimm series (s3e11 "The Good Soldier" and s4e12 "The Gendarme"), manticores are depicted as dangerous and deadly creatures, devoid of the fear of death. The image of Manticore is also found in modern animation. For example, in the animated American TV series The Amazing Misadventures of Flapjack, in one of the episodes, the manticore is presented in the form of a lion with a man's face and small wings, which becomes meek when tickled. Manticore met in computer games series " Disciples", " Dark Souls"And" Might and Magic"- in" Heroes of Might and Magic III"And" Might and Magic 7"Looked like a lion with a scorpion tail and wings (looks similar in the animated series" My little pony» (s1e2 and s5e6)), in Heroes of Might and Magic V, a human face was added to the image, and is also a non-playable monster in the game Allods Online (also a lion with a scorpion tail and wings). The manticore is one of the key characters in the novel of the same name by Canadian writer Robertson Davis. Manticore is also reflected in one of the albums of the popular British band (Cradle Of Filth), namely in the 2012 album "The Manticore And Other Horrors".
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- Manticore - Fantasy Creatures Wiki - Wikia
An excerpt characterizing the Manticore (monster)
“These are perfect robbers, especially Dolokhov,” said the guest. - He is the son of Marya Ivanovna Dolokhova, such a respectable lady, and what? You can imagine: the three of them got a bear somewhere, put it in a carriage with them and took it to the actresses. The police came to take them down. They caught the guard and tied him back to back to the bear and let the bear into the Moika; the bear swims, and the quarter on it.- Good, ma chere, the figure of the quarterly, - the count shouted, dying with laughter.
- Oh, what a horror! What's there to laugh at, Count?
But the ladies involuntarily laughed themselves.
“They rescued this unfortunate man by force,” continued the guest. - And this is the son of Count Kirill Vladimirovich Bezukhov, who is so cleverly amused! she added. - And they said that he was so well educated and smart. That's all the upbringing abroad has brought. I hope that no one will accept him here, despite his wealth. I wanted to introduce him. I resolutely refused: I have daughters.
Why do you say this young man is so rich? asked the countess, bending down from the girls, who immediately pretended not to listen. “He only has illegitimate children. It seems ... and Pierre is illegal.
The guest waved her hand.
“He has twenty illegal ones, I think.
Princess Anna Mikhailovna intervened in the conversation, apparently wishing to show her connections and her knowledge of all secular circumstances.
"Here's the thing," she said significantly, and also in a whisper. - The reputation of Count Kirill Vladimirovich is known ... He lost count of his children, but this Pierre was his favorite.
“How good the old man was,” said the countess, “even last year!” prettier than men I did not see.
“Now he has changed a lot,” said Anna Mikhailovna. “So I wanted to say,” she continued, “by his wife, the direct heir to the entire estate, Prince Vasily, but Pierre was very fond of his father, was engaged in his upbringing and wrote to the sovereign ... so no one knows if he dies (he is so bad that they expect it every minute, and Lorrain came from St. Petersburg), who will get this huge fortune, Pierre or Prince Vasily. Forty thousand souls and millions. I know this very well, because Prince Vasily himself told me this. Yes, and Kirill Vladimirovich is my maternal second cousin. It was he who baptized Borya, ”she added, as if not attributing any significance to this circumstance.
– Prince Vasily arrived in Moscow yesterday. He goes to the audit, they told me, - said the guest.
“Yes, but, entre nous, [between us],” said the princess, “this is a pretext, he actually came to Count Kirill Vladimirovich, having learned that he was so bad.
“However, ma chere, this is a nice thing,” said the count, and, noticing that the elder guest did not listen to him, he turned to the young ladies. - The quarterman had a good figure, I imagine.
And he, imagining how the quarterman waved his arms, again burst out laughing with a sonorous and bassy laugh that shook his whole full body, how people laugh, always eating well and especially drinking. “So, please, have dinner with us,” he said.
There was silence. The countess looked at the guest, smiling pleasantly, however, not hiding the fact that she would not be upset now if the guest got up and left. The daughter of the guest was already straightening her dress, looking inquiringly at her mother, when suddenly from the next room there was heard running to the door of several male and female legs, the rumble of a hooked and knocked down chair, and a thirteen-year-old girl ran into the room, wrapping something in a short muslin skirt, and stopped in the middle rooms. It was obvious that she accidentally, from an uncalculated run, jumped so far. At the same moment, a student with a crimson collar, a guards officer, a fifteen-year-old girl and a fat, ruddy boy in a children's jacket appeared at the door at the same moment.
The count jumped up and, swaying, spread his arms wide around the running girl.
- Ah, here she is! he shouted laughing. - Birthday girl! Ma chere, birthday girl!
- Ma chere, il y a un temps pour tout, [Darling, there is time for everything,] - said the countess, pretending to be strict. “You spoil her all the time, Elie,” she added to her husband.
- Bonjour, ma chere, je vous felicite, [Hello, my dear, I congratulate you,] - said the guest. - Quelle delicuse enfant! [What a lovely child!] she added, turning to her mother.
A dark-eyed, big-mouthed, ugly but lively girl, with her childlike open shoulders, which, shrinking, moved in her corsage from a quick run, with her black curls knocked back, thin bare arms and small legs in lace pantaloons and open shoes, was at that sweet age when the girl is no longer a child, and the child is not yet a girl. Turning away from her father, she ran up to her mother and, paying no attention to her stern remark, hid her flushed face in the lace of her mother's mantilla and laughed. She was laughing at something, talking abruptly about the doll she had taken out from under her skirt.
“See?… Doll… Mimi… See.
And Natasha could no longer talk (everything seemed ridiculous to her). She fell on her mother and burst out laughing so loudly and resoundingly that everyone, even the prim guest, laughed against their will.
- Well, go, go with your freak! - said the mother, pushing her daughter away in mock angrily. “This is my smaller one,” she turned to the guest.
Natasha, tearing her face away from her mother's lace scarf for a moment, looked at her from below through tears of laughter, and again hid her face.
The guest, forced to admire the family scene, considered it necessary to take some part in it.
The first mention of the manticore is found in the books of the Greek physician Ctesias, thanks to which many Persian myths became known to the Greeks. Aristotle and Pliny the Elder directly refer to Ctesias in their writings.
He (Ktesias) assures that the Indian beast "martihora" has a triple row of teeth on both - the lower and upper jaws, and it is the size of a lion and is just as hairy, its legs are like the legs of a lion; his face and ears resemble those of a human; his eyes are blue, and he himself is bright red; his tail is the same as that of an earthen scorpion - he has a sting in his tail and he has the ability to shoot, like arrows, with needles attached to his tail; his voice is something between the sound of a flute and a trumpet; he can run as fast as a deer and is wild and cannibalistic.
Aristotle "History of Animals"
However, the most complete of the ancient descriptions of the manticore was made in the 2nd century AD. e. Claudius Elian ("On the Nature of Animals"). He gives some curious details: “Anyone who approaches her, she strikes with her sting ... The poisonous spikes on her tail are comparable in thickness to a stalk of reeds, and are about 30 centimeters long ... She is able to defeat any of the animals, with the exception of a lion " . In the 2nd century A.D. e. Flavius Philostratus The Elder mentions the manticore as one of the miracles about which Apollonius Tyansky asks Iarchus on the hill of the sages.
Although the manticore is rarely mentioned in ancient scientific books, its descriptions abound in medieval bestiaries. From there, the manticore migrated to folklore. So, in the XIII century, Bartholomew of England wrote about it, in the XIV century - William Caxton in the book "Mirror of the World". In Caxton, the manticore's three rows of teeth became "a stockade of huge teeth in her throat", and her flute-like voice became "a sweet serpentine hiss, with which she draws people to her in order to then devour them."
In the 20th century, ideas about the manticore continued to develop. For example, in the bestiary of the Polish science fiction writer Andrzej Sapkowski, the manticore acquired wings and learned to shoot in any direction with its poisoned spikes. And in the novel by the English writer J. Rowling “Magical Beasts and Where to Find Them,” the manticore “begins to purr softly after absorbing another victim.” Also, according to Rowling, "the skin of a manticore reflects almost all known spells." In the story of the Russian science fiction writer Nikolai Basov "Demon Hunter", the manticore has the ability to heal its wounds almost instantly. In the movie Manticore (2005), a manticore cannot be killed by anything, and only the look of another manticore (or its reflection) can turn it into stone. In the Grimm series (s3e11 "The Good Soldier" and s4e12 "The Gendarme"), manticores are depicted as dangerous and deadly creatures, devoid of the fear of death. The image of Manticore is also found in modern animation. For example, in the animated American TV series The Amazing Misadventures of Flapjack, in one of the episodes, the manticore is presented in the form of a lion with a man's face and small wings, which becomes meek when tickled. The manticore met in the computer games of the Disciples, Dark Souls and Might and Magic series in Heroes of Might and Magic III" and "Might and Magic 7" looked like a lion with a scorpion tail and wings (looks similarly in the animated series " My little pony" (s1e2 and s5e6)), in "Heroes of Might and Magic V", a human face was added to the image, and is also a non-playable monster in the game "
